At PANK Magazine, Joseph Michael Owens reviews entrance to a colonial pageant in which we all begin to intricate (Tarpaulin Sky Press, 2011):

[Entrance] demands its reader to engage it on a close sentence-to-sentence level and rewards the reader with some truly spectacular prose,” writes Owens. “Prose that, page after page, begins to infect the reader, begins to parasite the reader as host, parasite the host’s inner child . . . before immolating the host, the reader.

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